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Voice Changer

Your words, someone else’s voice.

Turn a recording you already have into a different voice — what makes a conversion convincing, why the source recording decides most of it, and whose voice you may actually use.

Start with lesson oneOpen Voice Changer

The curriculum

Read them in this order

Each lesson assumes the one before it. The third is the one that matters — conversion involves two people, and nothing in the tool asks about either of them.

  1. 01Your first conversionA recording in, the same recording in another voice out. What Voice Changer actually does, why the target list is shorter than the voice catalogue, and what the three settings are for.start · 5 min read
  2. 02Getting a convincing resultAlmost every bad conversion is the source recording, not the settings. One speaker, a quiet room, close miking, and a target within reach of your own voice — plus how to hear a conversion that has not worked.core · 8 min read
  3. 03Whose voice can you useConversion involves two people — the speaker in your recording and whoever the target voice belongs to — and the tool checks neither. What it is honestly for, and what it is not.core · 7 min read

Before you run anything

Whose voice you may use

Every conversion involves two people: whoever is speaking in the file you upload, and whoever the target voice belongs to. Nothing in the tool checks either one, which is why this list is on the front page of the track rather than buried in a lesson.

Your own voice, converted to a voice you cloned from yourself
Go ahead. Both people are you. This is the case the tool is really built for, and it is the only one with nothing to check.
Your own voice, converted to a voice somebody licensed to you
Go ahead. Fine, within whatever that licence says. Read what you were actually granted — permission to use a voice in a product is not always permission to use it in an advertisement.
Your voice, converted to a voice you cloned from someone else
Not without permission. The target's permission is required, and it has to be permission for a synthetic voice specifically. Somebody agreeing to be recorded has not agreed to be reproduced.
Somebody else's recording — an interview, a call, a meeting
Not without permission. The speaker's permission is required as well as the target's, and it is the one people forget. They agreed to be recorded saying that. They did not agree to be heard saying it in a stranger's voice.
A public figure, an actor, a singer, a character from a film
No. Somebody's voice, usually somebody's livelihood, and frequently a protected performance. That a clean recording is easy to find is not a permission, and a disclaimer in the description is not one either.
Making it sound as though someone said something they did not
No. This is the thing the technology is genuinely dangerous for, and there is no version of it that is fine because the clip was short or the intent was funny. Do not.

Free to start

Read it with the tool open

You do not need a plan to work through this track. Voice Changer has no tier gate at all — a free account can run every lesson here against the tool you will be looking at.

Create a free account

1,000 credits every month. No card required.

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